You get graded on three things when you film your interview scene: good questions, quality audio, good framing. Today covers the first two.
Closed: "Did you like the event?" → yes. Dead end.
Open: "What part of the event stood out to you, and why?" → a real answer you can follow up on.
Rule: if it can be answered in one word, rewrite it.
A follow-up you wrote in advance is a guess. A real one comes from actually listening. Practice: repeat back the one detail you're following up on, then ask.
Point the Rode NTG at the speaker's mouth, as close as the frame allows without being visible. Off-axis or too far back is the #1 cause of thin, echoey, unusable audio.
Peaks in the safe range, never pinned to the top — clipping cannot be fixed later. Wear headphones while recording. A clean-looking meter can still hide wind or hum.
15–30 seconds of the empty room, recorded on location. Without it, every cut in your edit has an audible hole.
| Problem | Fix |
|---|---|
| Wind noise | Windscreen, or move somewhere sheltered |
| Hum or buzz | Move away from electronics, check cables |
| Thin / distant | Re-aim the mic and get closer |
| Distortion | Lower the gain, re-test |
| Background noise | Move locations or reschedule |
Next up: the equipment check. Crews that clear it go straight into filming — and the first crew through the whole pipeline picks first in the event draft.